Art Deco French

Large 1920s French ART DECO Nude Male Archer SCULPTURE by E. J. N. CARLIER

Large 1920s French ART DECO Nude Male Archer SCULPTURE by E. J. N. CARLIER
Large 1920s French ART DECO Nude Male Archer SCULPTURE by E. J. N. CARLIER
Large 1920s French ART DECO Nude Male Archer SCULPTURE by E. J. N. CARLIER
Large 1920s French ART DECO Nude Male Archer SCULPTURE by E. J. N. CARLIER
Large 1920s French ART DECO Nude Male Archer SCULPTURE by E. J. N. CARLIER
Large 1920s French ART DECO Nude Male Archer SCULPTURE by E. J. N. CARLIER
Large 1920s French ART DECO Nude Male Archer SCULPTURE by E. J. N. CARLIER
Large 1920s French ART DECO Nude Male Archer SCULPTURE by E. J. N. CARLIER
Large 1920s French ART DECO Nude Male Archer SCULPTURE by E. J. N. CARLIER
Large 1920s French ART DECO Nude Male Archer SCULPTURE by E. J. N. CARLIER
Large 1920s French ART DECO Nude Male Archer SCULPTURE by E. J. N. CARLIER

Large 1920s French ART DECO Nude Male Archer SCULPTURE by E. J. N. CARLIER   Large 1920s French ART DECO Nude Male Archer SCULPTURE by E. J. N. CARLIER

Large 1920s French ART DECO Nude Male Archer SCULPTURE by E. Reasonable offers can be considered. Émile Nestor Joseph Carlier (3 January 1849 11 April 1927), called Joseph Carlier , was a French sculptor.

Émile Joseph Nestor Carlier by Alphonse-Eugène Lechevrel. 11 April 1927(aged 78). École nationale supérieure des beaux-arts. Gilliat Struggling with the Octopus.

Émile Nestor Joseph Carlier was born in Cambrai. His family house was in the Rue de la Prison, the current location of the town hall. His father was a cutler and a musician in his spare time. He wanted to see his son become an architect or arts and crafts maker.

He was a student in the monks' school, then attended the Municipal School where he was taught drawing by the Bergers, father and son. His father, fearing the uncertainty of the life of an artist, was uncomfortable with his son's career choice. However, with the support of his mother he joined the studio of the ornamental sculptor Lecaron in Cambrai at the age of fifteen.

He began work carving the stones of the Cambrai cathedral. At one time he fell from a scaffold and was saved only by his bag's strap catching on a pole.

He went to Paris, visiting the Universal Exhibition of 1867, which confirmed his vocation as an artist. Where he was a dedicated and studious pupil. His teacher convinced Carlier's parents to let him go to Paris to enter the Ecole des Beaux-Arts. He received a scholarship from the city of Cambrai in 1869, and he joined the workshop of Pierre-Jules Cavelier. His teacher gave him a rigorously academic education. The beginnings of the young Emile were difficult, with moments of euphoria followed by discouragement. Of 1870 interrupted his studies. Exempt from military service, he went to his parents' home, and then joined the volunteers of Montrouge. He had his baptism of fire at the advanced posts of Bagneux and at Buzenval in Rueil-Malmaison. Where he saw the Orientalist painter Henri Regnault. He himself received three shots and narrowly avoided the loss of his right arm. He saw the horrors of the Commune, and left in search of new horizons. With a pistol and fifteen francs, he left for Spain, which he explored on foot for six months. On the way he worked for road masons. Back in Paris he joined the workshop of François Jouffroy. Then entered the Académie Julian. In the workshop of Henri Chapu. Where he found his friend from Valenciennes, Léon Fagel. In 1874 he exhibited for the first time at the Salon. And exhibited there in all subsequent years. As a token of gratitude, he donated his first major work to the city of Cambrai. It was the stone statue of Cambrai chronicler Enguerrand de Monstrelet. Which he created in 1876 and was erected in a public garden. In 1877, he erected a statue of the Resurrection on the tomb of his parents in the cemetery of Père Lachaise. This work was a copy of a monument commissioned from him for a tomb in America. Which earned him a second prize at the Salon of 1879. Which earned him a scholarship to travel and visit Italy in 1881. In Florence he modeled the outline of. The Blind and the Paralytic. For which he was awarded the first medal of the Salon of 1883. In 1885 he unsuccessfully sought a workshop at Garde-meuble or the quai de l'Alma for his sculpture work. In 1886, he requested a grant of a block of marble, which was denied. In 1888 he obtained a commission to make a work of sculpture for the decoration of the Industrial School of Roubaix or the Universal Exhibition of 1889, which did not happen.

In 1889 after winning his gold medal at the Exposition Universelle in Paris, he decided to transform his. Which he exhibited at the Salon of 1890.

He became a member of the Jury of the Salon of French Artists, where he revised the regulations. That same year, his application for a work of sculpture was dismissed on the ground that in 1889 a statue had been bought at the Salon for the sum of 10,000 francs.

A new application in 1894 received the same answer. At the end of the 19th century the city of Condé-sur-l'Escaut. Pre-selected him, as well as Léonie Duquesnoy. To create the monument to the memory of actress Claire Josèphe Leris de Latude. A native of this town.

In the end it was Henri Désiré Gauquié. He sculpted feminine grace with his masterpiece.

Shown at the Exposition Universelle of 1900. This statue represented Chrysis from the novel. We do not know what action was taken on his application for a work of sculpture for the Universal Exposition of 1900, made in 1898. In 1904 a subscription was launched worldwide for the realization of a great monument to. Erected in 1908 in a square in Paris.

This monument was in several pieces, three of which are now in the André Malraux Cultural Center of Verrières-le-Buisson. An allegory of agriculture and horticulture called.

And two others also in white marble. The second statue is located in the grounds of the Leon Maugé nursing home.

It is missing the right wrist. The third, "Child Winnowing", signed and dated 1908, is in a small square at the corner of the Market passage and the Jean Simonin alley. The young child holds a wicker winnow in his hands.

In 1908, after the showing of the monument to the Salon of French Artists, the author asked for it to be temporarily held in the Marble Depot. In 1913 the Beaux Arts asked the artist to remove the monument. In 1917 he asked for instructions, and applied to place this monument to Vilmorin in a garden or a public place. The work was commissioned from the artist by a committee, so the state could not intervene in its disposal. This is probably the reason why the work was dismantled into several pieces.

He was called to Algiers in 1912 to reproduce the features of the Duc des Cars, General of the Conquest of 1830, and also make the medallion of General Maurice Bailloud. The successor to the previous conqueror, to create a bronze plaque placed on the 50-meter-high (160 feet) obelisk commemorating the dead of the Army of Africa, perched on the heights high on the Emperor Fort, inaugurated by the Governor General of Algeria Charles Lutaud. Dated 21 October 1912, and destroyed by explosives for the safety of the inhabitants of Algiers in 1943. Broke out, he devoted himself assisting refugees from the North, and as president of the Friends of Cambrai, he devoted himself during the four years of conflict with his friend Devignes to help people of that town.

In 1916, Senator Paul Bersez. In 1918 Carlier asked of the Minister of Fine Arts the position of Inspector of Fine Arts, and informed him that the bronze statues placed in the garden of Cambrai had been removed by the Germans.

He made the statue of General Léon de Poilloüe de Saint-Mars. He collaborated with the architect Castex on a monumental fountain project for the city of Reims. Having never lost interest in his hometown, and being a member of several associations, he sat on the Committee for Reconstruction of Cambrai and participated in all the Parisian meetings that Cambrésiens attended.

He died in Paris on 11 April 1927. Upon his death, the funeral eulogy was spoken by the poet Devignes, A. Dorchain, the Mayor of Cambrai G. Fernand Créteur wrote his biography.

He is buried in the Père Lachaise Cemetery. After his death, during the distribution of works of the Musée du Luxembourg, it was recommended that the.

Marble be exhibited at the Louvre. The commission declined but offered the alternatives of the Natural History Museum or the Oceanographic Institute. In 1932 his son made an unsuccessful application for the cast of. For the city of Cambrai to be repeated in bronze. He also asked what became the.

This request did not get any response. 1872 v - Winter - marble sculpture, SD, E.

1874 - exhibited at three busts, including the historian Latherne. The Resurrection - the tomb of his parents at Pere Lachaise Cemetery bronze group representing Saint-Michel taking the soul of the deceased. 1878 - Brotherhood - bronze group 5000fr grant for acquisition for a public park in Cambrai. 1879 - Gilliat - awarded a 2 e medal at the Salon of the same year. Transformed into marble in 1889.

The plaster was acquired by the state and is at the Museum of Valenciennes. The bronze by Alexis Rudier for the city of Cambrai, is shown in the Salon of 1880. 1880 v - Young woman - red brown patinated bronze and brown dimensions: × × (Denise sale 1731 Friday, June 22, 1990 Auctions London, England). 1880 - Before the Stone Age - (Musee de Cambrai) plaster group, hunting scene, wolf, exhibited at the Salon of French Artist 19 & Gilliat and Octopus, bronze Alexis Rudier placed in the garden of flowers city?? (Musee de Cambrai), Salon of 1881. AN between these two dates, user AR405095, cote F/21/210 Ministry of Culture database Arcade R. 1881 - Julien - portrait bust of the Emperor Julian, cachat State. 1882 v - a mansion Sculptures by Lucien Magne, Avenue de Villiers, photographed by Hervé Lewandowski. 1883 - The Blind and the Paralytic - outlined in Florence (1 st medal at the Salon of 1883). Plaster exposed to the Friends of the Arts Exhibition of Cambrai n o 30 of the catalog. 1886 - The Family - plaster group, living in the French Artists in 1887, photo of G. Michelez; awarded in 1889 at (Museum of Fine Arts in Arras). 1887 - Madame Roland - for the House Education Legion of Honor at Saint-Denis. The plaster was exhibited at the retrospective organized by The Friends of the Arts of Cambrai in 1928, n o 24 of the catalog. 1887 - Adolphe Jullien - engineer, marble bust for the School of Bridges and Roads, photo of G. Michelez (Ministry of Culture, Record: ARC00951, based Archimedes, Cote F/21 / :7657). The plaster was acquired in 1889 for the Municipal Museum of Dijon. 1888 - Natural History - for La Sorbonne façade rue des Ecoles. 1888 - Bas relief of animals for the Museum. Plaster at the City Museum of Grenoble in Isere. Bust exposed to retrospective of 1928, organized by the Friends of the Arts of Cambrai, n o 10 of the catalog. 1890 - Gilliat and Octopus - marble SD. Inscription EJ Thornton Cambrai 1890 (SD back the rock) Sun: 220 cm × 120 cm × 83 cm H Base: 8 cm Property of the State Museum d'Orsay, inv No. RF3911; LUX16; assignment: Louvre Museum, Dept.

Of Sculpture; deposited Villeurbanne, Nautical Center, Paris Musée du Luxembourg from 1890 to 1931. Molding workshop will be conducted by the National Museums in 1894.

Exhibited at the Salon des Amis des Arts de Cambrai in 1928, n o 1 of catalog. An allocation request no further action had been formulated by the Musée de Picardie in Amiens in 1890. 1897 - The Mirror - (Salon of French Artists), cast donation to the Museum of Arras (Pas-de-Calais) group, genre. 1899 - Day & Night. Caryatids Clock of City Hall Tours paired limestone, cut dimensions are not taken, on the terrace J.

Music - and - Danse profane -; dimensions: 2.25 m × 0.75 m × 0.70 m, the original model acquired by the State for 3000fr (Palais de l'Elysée), plaster exposed to the retrospective organized by the Friends of the Arts of Cambrai in 1928, n o 26 & 25 of the catalog. Deposit marbles n o 1724 the completion of plaster and n o 1870 the realization of marble Municipal Theatre Condom, Gers.

The Danse Profane be made?? 1902 - The Mirror - marble statue deposit at the Musée d'Arras, the statue is broken by the movers after exposure to the Exposition Universelle of 1900, missing feet and then the mirror is restored statue (marble and bronze), it has been a deposit Marbles (n o 1800) and the cost was 14,000fr.

Marble, exposed to the Friends of the Arts Exhibition of Cambrai in 1928. Deposit at the Museum of Cambrai in 1902. 1904 - Gilliat and Octopus - bronze with green patina, signed and dated 1904 with Carlier Rudier Foundry, Paris, Sotheby's, USA, 2005, lot 123.

Provient Collection M me Virginia Kraft Payson, plaster, museum Municipal Saint-Claude, Jura. 1904 - Dogue Beef and Kid - assignment Museum of St Claude. 1906 v Vilmorin Monument - white marble to be erected in 1908 in a Parisian square and now dismantled, three statues are found in André Malraux Cultural Center of Verrières-le-Buisson. 1908 - Gilliat and Octopus - reduction in marble for the London exhibition and reductions were edited by F.

Costenoble of 80 cm in height. Exposed to the Friends of the Arts Exhibition of Cambrai in 1928, catalog number 21. 1909 - Standing Bather - marble exhibited at the Salon of French Artists in 1909, FA Vizzavona photo. 1910 - Nausicaa - marble statue size (Petit Palais). Marble was exhibited at the Exposition des Amis des Arts de Cambrai in 1928 (n o 6) and a terracotta same (n o 33) Catalog. 1912 - Amedeo Perusse des Cars - Maurice Bailloud General (inset) for the Monument to the Dead Army Africa in Algiers (Algiers trip).

Inaugurated on 21 October 1912 and destroyed in 1943, willfully safety. The medallion of General Bailloud was exposed to the 1928 retrospective organized by the Friends of the Arts of Cambrai, n o 20 of the catalog. 1913 - The Wave - bronze, exhibited at the retrospective, organized by the Arts Amios Cambrai, n o 22 of the catalog.

1913 - Henri Poincaré - bronze bust on a granite base from the Vosges, in the square of the School of Nancy. Bordering the rue Gambetta, directed by subscription of his former students, colleges Colmar, Metz, Nancy and Strasbourg. 1914 - The Dancer with veil, terracotta Expostion exposed to the Friends of the Arts of Cambrai in 1928, n o 43 of the exhibition catalog. & - Pannyre gold heels inspired by the poetry of Albert Samain Plaster exposed to the Exposition des Amis des Arts de Cambrai n o 28. And exhibited at the Salon of 1914, photo by Antoine François Vizzavona. Assigned to Commander apartment Fequant. 1918 v The widow and her child - terracotta study, exhibited at the retrospective exhibition organized by the Friends of the Arts of Cambrai in 1928, n o 40 of the catalog. 1918 v - The Journey - Scottish soldier, weapon feet, test patinated bronze brown, cast iron old edition, Signed on the terrace dimensions: 20.5 cm.

1919 - Cambrai anxious - terracotta, exposed to the retrospective exhibition of the artist by the Friends of the Arts of Cambrai, n o 41 catalog. 1919 - Georges Clemenceau - the artist creates a project of the monument to the Committee's request and the request command no further action. The bust will be exposed to the retrospective in 1928, organized by the Friends of the Arts of Cambrai n o 11 of the catalog.

1919 - Victory - sketch in terracotta, exposed to the retrospective of 1928, n o 35 of catalog- Cambrai anxious - Groups of widows - A project of monument: Return of Alsace and Lorraine. 1920 v - Edmond Garin - Mayor of Cambrai from 1919 to 1925 his bronze medallion, found its place on a monument to the glory of the mayor after his death. The medallion was exposed to the retrospective exhibition of the artist organized by the Friends of the Arts of Cambrai in 1928 and carries the catalog of this exhibition NO: 16.

1920 v - Human Archer - bronze spelter-patiented ivoir color, mounted on a black marble and green, metal nickel, Signed at the base dimensions: 45.1 cm × 21 cm × 6.5 cm, weight: 14 kg (for sale on the net in 2011). 1926 - The Rebel - terracotta exhibited at the Salon of French Artists from 1926 and at the Exposition des Amis des Arts de Cambrai in 1928, n o 42 to the catalog of this exhibition.

The item "Large 1920s French ART DECO Nude Male Archer SCULPTURE by E. CARLIER" is in sale since Thursday, October 3, 2019.

This item is in the category "Art\Art Sculptures". The seller is "afarjun17" and is located in Fort Lauderdale, Florida. This item can be shipped to United States.

  • Region of Origin: France
  • Medium: Bronze
  • Year: 1920
  • Subject: Nudes
  • Originality: Original


Large 1920s French ART DECO Nude Male Archer SCULPTURE by E. J. N. CARLIER   Large 1920s French ART DECO Nude Male Archer SCULPTURE by E. J. N. CARLIER